قیساسی

Russo-Japanese War view, scanned from a Stereoscope card, published in 1905. From the collection of Infrogmation, who scanned it and uploaded it to en:Wikipedia 16:08, 19 July 2003.

Caption: "Russian 500-lb. shell bursting near the Japanese siege guns -- Port Arthur".

The back of the card has this text:

Position: In a valley between two and three miles north of Porth Arthur.

Direction: About southwest.

Surroundings: Barren, brown hills, several of them much higher than the one ahead, with a valley of farms and Manchu villages off at the rear.

Outlook: That firey outburst of smoke and flame and stones and earth and splintered steel is where a shell from one of the Russian forts i just bursting as it strikes the ground. It is liable to kill anywhere within a hundred yards; it merely happened that none of the death-dealing fragments struck the photographer and his camera. This stereograph which he did succeed in making is one of themost remarkable things ever produced by photography. Five minutes after this negative was made, another Russian shell hit the Japanese siege gun which you see at the extreme right, putting it out of action.

The Russian shell-fire is directed over here in order to destroy this gun -- one of the eighteen huge 11-inch guns that the Japanese call their "Osaka babies". It is with these 11-inch mortars that the Russian forts at Port Arthur are being pounded into submission and the Russian battle ships over in the harbor smashed into hopeless wreck. The guns were brought part way from Dalny by rail, then hauled a mile and a half on huge rollers by gangs of 250 men.

Kennan, the famous war correspondent, says of the approach of the Russian shells like this one now bursting: "To me the Russian shells always seemed to say 'Here I come, Here I come, HERE I COME, HERE I COME, BANG!' I was always prepared for sudden death."

لیسانس

اجازهٔ کپی، پخش و/یا تغییر این سند تحت شرایط مجوز مستندات آزاد گنو، نسخهٔ ۱٫۲ یا هر نسخهٔ بعدتری که توسط بنیاد نرم‌افزار آزاد منتشر شده؛ بدون بخش‌های ناوردا (نامتغیر)، متون روی جلد، و متون پشت جلد، اعطا می‌شود. یک کپی از مجوز در بخشی تحت عنوان مجوز مستندات آزاد گنو ضمیمه شده است. بو فایلین، مجوز مستندات آزاد گنو، نین 1.2 نوسخه سی و یا بنیاد نرم‌افزار آزادترفین‌دن درج داها یئنی سوروملئریندئکی شرط‌لره اویغون شکیلده و * دییشمه‌ین حیسه‌لر، اؤن قاپاق متنی و آرخا قاپاق متنی اولما‌دان، کوپیالانماسی، پایلانماسی و / و یا دییشدیریلمه‌سینه ایجازه وئریلمیش‌دیر. لیسئنزیانین بیر کوپیاسی،مجوز مستندات آزاد گنوباش‌لیق‌لی حیسه‌ده ایشتیراک ائتمکده‌دیر. به تکذیب‌نامه‌ها رجوع شود.http://www.gnu.org/copyleft/fdl.htmlGFDLGNU Free Documentation Licensetruetrue

این اثر در کشورهایی و مناطقی که مدت زمان حق تکثیر، عمر پدیدآورنده بعلاوه 70 سال یا کمتر بعد از مرگ او است، در مالکیت عمومی قرار دارد. You must also include a United States public domain tag to indicate why this work is in the public domain in the United States. Note that a few countries have copyright terms longer than 70 years: Mexico has 100 years, Jamaica has 95 years, Colombia has 80 years, and Guatemala and Samoa have 75 years. This image may not be in the public domain in these countries, which moreover do not implement the rule of the shorter term. Honduras has a general copyright term of 75 years, but it does implement the rule of the shorter term. Copyright may extend on works created by French who died for France in World War II (more information), Russians who served in the Eastern Front of World War II (known as the Great Patriotic War in Russia) and posthumously rehabilitated victims of Soviet repressions (more information).

این پرونده تحت قانون حق تکثیر محدودیت آزاد منتشر شده که شامل تمامی حقوق مربوطه و حقوق نزدیک به آن می‌شود.

https://creativecommons.org/publicdomain/mark/1.0/PDMCreative Commons Public Domain Mark 1.0falsefalse